Hegel's philosophy has often been compared to a circle of circles: an ascending spiral to its admirers, but a vortex to its critics. The metaphor reflects Hegel's claim to offer a conception of philosophical reason so comprehensive as to include all others as partial forms of itself. It is a claim which faces the writer on Hegel with peculiar difficulties. Criticism, it would a...(展开全部)

The Dimensions of Hegel's Dialectic examines the epistemological import of Hegelian dialectic in the widest sense. In modern philosophy, German idealism, Hegel in particular, is said to have made significant innovative steps in redefining the meaning, scope and use of dialectic. Indeed, it is dialectic that makes up the very core of Hegel's position, yet it is an area of his th...(展开全部)

The Dimensions of Hegel's Dialectic examines the epistemological import of Hegelian dialectic in the widest sense. In modern philosophy, German idealism, Hegel in particular, is said to have made significant innovative steps in redefining the meaning, scope and use of dialectic. Indeed, it is dialectic that makes up the very core of Hegel's position, yet it is an area of his th...(展开全部)

These five essays on Hegel give the English-speaking reader a long-awaited opportunity to read the work of one of Germany's most distinguished philosophers, Hans-Georg Gadamer. Gadamer's unique hermeneutic method will have a lasting effect on Hegel studies.

Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers ...(展开全部)

Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers ...(展开全部)

特里·伊格尔顿：英国当代马克思主义理论家、文学批评家。曾任教于剑桥大学，又长期担任牛津大学凯瑟琳学院沃顿英文和文学理论讲座教授，后任教于曼彻斯特大学、圣母大学。代表性著作有《批评与意识形态》《沃尔特·本雅明：或走向革命批评》《文学理论导论》《美学意识形态》《文化的观念》《唯物主义》《论文化》等。 段吉方：华东师范大学文学院教授，主要从事文艺学、美学、马克思主义文艺理论研究。出版专著有《意识形态与审美话语——伊格尔顿文学批评理论研究》《文化唯物主义与现代美学问题——20世纪英国马克思主义文学批评理论范式与经验研究》等。 穆宝清：山东大学外国语学院副教授，英国伦敦国王学院访问学者，主要研究方向为西方文论、艺术美学。近期著作有《贡布里希艺术美学思想研究》《社会学阐释与文学想象：齐格蒙特?鲍曼论后现代消费社会》等。

While Bloom is appreciated for his originality, range and clarity, less notice has been taken of the remarkable unity that is displayed in his writings from the earlier studies on Shelley, Blake and Romanticism, up to A Map of Misreading. That unity is brilliantly highlighted in Kabbalah and Criticism. Providing a study of the Kabbalah itself, its great commentators, the 're...(展开全部)